Shabaka | News | Infotext: Shabaka Hutchings - Afrikan Culture

All songs written and arranged by Shabaka Hutchings
Executive Producers: Shabaka Hutchings and Dilip Harris
Shabaka Hutchings - Shakuhachi Flutes, Clarinet, Mbira, Voice / Alina Bzhezhinska - Harp (track 2) /  Kadialy Kouyate - Kora (tracks 3 + 8) /  Kwake Bass – Music Box  (track 5) / Dave Okumu – Guitar (track 6) 

Shabaka Hutchings‘ Debüt unter eigenem Namen „Shabaka“ erscheint als 8-Track-EP zunächst exklusiv digital!

Bekannt wurde Shabaka für seine weltweit gefeierten, bahnbrechenden Gruppen Sons of Kemet, The Comet is Coming und Shabaka and the Ancestors. Auf dieser Veröffentlichung erschließt er für sich einen musikalisch ruhigeren, meditativeren Raum als mit seinen drei Ensembles. Tragendes Element der acht Tracks ist Shabaka als Solist auf diversen Blasinstrumenten.

„Afrikan Culture“ ist ein meditatives, reflektiertes Werk, mehr als nur eine beeindruckende atmosphärische Klangkulisse.

Acclaimed saxophonist, philosopher, bandleader, and musician Shabaka Hutchings, now professionally known as Shabaka across all solo musical efforts, announces his first major label solo body of work, Afrikan Culture (Impulse!), out on May 20th.   Entirely written by Shabaka the eight-track digital only EP showcases him on various wind instruments and focuses on the aural meditative space. 

“Afrikan Culture was made around the idea of meditation and what it means for me to still my own mind and accept the music which comes to the surface,” says Shabaka. “It features various types of Shakuhachi flutes and a new technique of creating that I’ve been experimenting with in layering many flutes together to create a forest of sound where melodies and rhythms float in space and emerge in glimpses.”

Produced by Shabaka and frequent collaborator Dilip Harris, Afrikan Culture takes you on a sonically calming journey.  Immersed in a sea of sound, diverse instruments that include the Shakuhachi (a Japanese end-blown flute), a Kora (a stringed instrument used extensively in West Africa), a Mbira (a “thumb piano” from Africa), and a music box envelopes the listener in a soothing sound that lingers on well past the last played note. 

The British-born Barbados-raised saxophonist and clarinetist is the centrifugal force in three critically acclaimed bands: Sons of Kemet, The Comet Is Coming, and the South African-centered Shabaka and the Ancestors. 

He signed to Impulse! in 2018 after a six-year stretch rising to prominence with international sold-out shows that dissolved old genre boundaries and attracted eminent attention. Along the way he picked up accolades including two Mercury Prize nominations, a MOBO and a 2020 inclusion as one of Downbeat’s “Musicians Shaping The Future Of Jazz.” His band The Comet Is Coming created a memorable NPR Tiny Desk show. There has been endless coverage from The New Yorker to Afropunk. Sons of Kemet appeared in The New York Times Magazines “Songs That Matter Right Now” and Pitchfork’s “Best Songs of the 2010s” and were included in the soundtrack to groundbreaking visual media including Beyoncé’s Homecoming on Netflix and Michaela Coel’s award-winning BBC/HBO show I May Destroy You.  In 2021 Sons of Kemet released Black To The Future to much critical acclaim and landed on several year-end “best of” lists including Stereogum, NPR, and Paste.

Comet, Kemet and The Ancestors – as well as numerous ad hoc ensembles – are separated by personnel and sound palette but the records naturally talk to each other. He writes the music for Sons of Kemet and composes for Shabaka and the Ancestors, whilst the music for The Comet is Coming is developed from within improvised jam sessions. It’s a rich set of overlapping musical worlds in which music is written whenever the opportunity rises.

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